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The Event of Music History
Brings musicology to the cutting edge of debates in the postmodern philosophy of history. This book presents a new theory of how to write music history, and offers an exemplar of this new theory in action, in a series of four chapter-length reflexions on Beethoven's heroic style.The first book-length theory of music history since Carl Dahlhaus's Foundations of Music History, it brings musicology to the cutting edge of debates in the postmodern philosophy of history. While the book engages with current thinking, it also goes further than the postmodern critique of history writing to find a new and positive basis for the writing of music history.In so doing the book revisits the philosophy of Alain Badiou: in place of a focus on the facts, the objects of history, whose problematic relation to history writing the theorists have demonstrated, the book proposes a focus instead on the subjects of history, the 'faithful', 'reactive, and 'obscure' responses to an 'Event' (a kind of rapture of ontology which brings the actors involved closer to a truth).It sees musical materials (the styles, techniques, and musical 'language' handed down to composers by history) in a dialectical relationship with the human beings who are music's manifold historical actors. Engagingly written, this new short theory of music history will be essential reading for scholars and students of the many area studies within music history.It will also attract those of neighbouring disciplines dealing with the philosophy of history or the history of historiography.
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Dictionary of Event Studies, Event Management and Event Tourism
* An ontology of the study of planned events and the professional practice of event management and event tourism;* User friendly explanations and language to explain and contextualise jargon and technical terms within this wide and varied field;* E version has an interactive function with hyperlinks to sources, books in the EMTM series as well as ability to bookmark pages, instant linkage to cross references and more.This Dictionary, produced by a distinguished and varied panel of international editors, is an invaluable reference for students, academics, practitioners, researchers, policy makers. For the first time, it compiles and defines a comprehensive glossary of terms used in the event-specific literature.Whilst many of these terms are commonplace, their usage in the events literature is often specific and in need of interpretation.Whilst there are numerous short entries and basic definitions, the emphasis has been placed on terms with high relevance to planned events, and in particular to theories, concepts and models specific to event studies.Multiple usages, including quotations are provided, where relevant, to cover the breadth of meanings and applications of the terms. Part of the Event Management Theory and Methods Series.This series examines the extent to which mainstream theory is being employed to develop event-specific theory, and to influence the very core practices of event management and event tourism.They introduce the theory, show how it is being used in the events sector through a literature review, incorporate examples and case studies written by researchers and/or practitioners, and contain methods that can be used effectively in the real world. With online resource material, this mix-and-match collection is ideal for lecturers who need theoretical foundations and case studies for their classes, by students in need of reference works, by professionals wanting increased understanding alongside practical methods, and by agencies or associations that want their members and stakeholders to have access to a library of valuable resources.Series editor: Donald Getz PhD., Professor Emeritus, University of Calgary, Canada.
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Mastering Apache Pulsar : Cloud Native Event Streaming at Scale
Every enterprise application creates data, including log messages, metrics, user activity, and outgoing messages.Learning how to move these items is almost as important as the data itself.If you're an application architect, developer, or production engineer new to Apache Pulsar, this practical guide shows you how to use this open source event streaming platform to handle real-time data feeds. Jowanza Joseph, staff software engineer at Finicity, explains how to deploy production Pulsar clusters, write reliable event streaming applications, and build scalable real-time data pipelines with this platform.Through detailed examples, you'll learn Pulsar's design principles, reliability guarantees, key APIs, and architecture details, including the replication protocol, the load manager, and the storage layer. This book helps you:Understand how event streaming fits in the big data ecosystemExplore Pulsar producers, consumers, and readers for writing and reading eventsBuild scalable data pipelines by connecting Pulsar with external systemsSimplify event-streaming application building with Pulsar FunctionsManage Pulsar to perform monitoring, tuning, and maintenance tasksUse Pulsar's operational measurements to secure a production clusterProcess event streams using Flink and query event streams using Presto
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Fashionable music festival custom wristband event bracelet
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Search for songs for an electro sports event.
When searching for songs for an electro sports event, it's important to choose high-energy tracks with a fast tempo to match the intensity of the event. Look for electronic dance music (EDM) or techno songs with a driving beat and dynamic drops to keep the audience engaged and pumped up. Consider tracks from popular DJs or artists known for their energetic and uplifting music to create a vibrant atmosphere during the event.
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Is it "der Event" or "das Event"?
In German, the word "Event" is neuter, so the correct article to use is "das Event." Therefore, the correct way to say "the event" in German is "das Event."
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Is it the event or the event?
It seems like there might be a typo in the question as it currently reads "Is it the event or the event?" If you could provide more context or clarify the question, I would be happy to help answer it.
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What is a music event in a hall?
A music event in a hall is a live performance or concert that takes place in a designated indoor venue, typically designed for hosting musical performances. These events can range from classical music recitals to rock concerts, and they often feature professional musicians or bands performing for an audience. Music events in halls provide a unique and immersive experience for attendees, allowing them to enjoy the music in a controlled and acoustically optimized environment.
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Flow Architectures : The Future of Streaming and Event-Driven Integration
Software development today is embracing events and streaming data, which optimizes not only how technology interacts but also how businesses integrate with one another to meet customer needs.This phenomenon, called flow, consists of patterns and standards that determine which activity and related data is communicated between parties over the internet. This book explores critical implications of that evolution: What happens when events and data streams help you discover new activity sources to enhance existing businesses or drive new markets?What technologies and architectural patterns can position your company for opportunities enabled by flow?James Urquhart, global field CTO at VMware, guides enterprise architects, software developers, and product managers through the process. Learn the benefits of flow dynamics when businesses, governments, and other institutions integrate via events and data streamsUnderstand the value chain for flow integration through Wardley mapping visualization and promise theory modelingWalk through basic concepts behind today's event-driven systems marketplaceLearn how today's integration patterns will influence the real-time events flow in the futureExplore why companies should architect and build software today to take advantage of flow in coming years
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Cases For Event Management and Event Tourism
* Fully developed case studies all with theoretical underpinning and clear learning outcomes. * Teaching notes accompany all cases which specify teaching methods to be adopted for effective use in the classroom. * Teaching Instructions and Lesson Plans provide which offer a step-by-step teaching process, how students should be organized, information to be provided, the questions to be raised, and suggested assignments. A comprehensive collection of fully developed case studies of event management and event tourism main areas, including human resources, leadership, marketing, strategy, operations, stakeholder management, and evaluation, all written by international experts. The cases mirror the practices and challenges in the event management industry across the globe – in different regional contexts and cultures – integrating theory with functional and operational perspectives.All are accompanied with teaching notes that explain learning outcomes, theoretical underpinnings, teaching methods, and provide detailed learning activities, questions and tools for analysis and guided assignments. Cases For Event Management and Event Tourism is a must have collection for all those studying and teaching event management nad event tourism.It contextualizes understanding and provides a real-life perspective on the theory, models and best practice in the industry. Part of the Event Management Theory and Methods Series.This series examines the extent to which mainstream theory is being employed to develop event-specific theory, and to influence the very core practices of event management and event tourism.They introduce the theory, show how it is being used in the events sector through a literature review, incorporate examples and case studies written by researchers and/or practitioners, and contain methods that can be used effectively in the real world.With online resource material, this mix-and-match collection is ideal for lecturers who need theoretical foundations and case studies for their classes, by students in need of reference works, by professionals wanting increased understanding alongside practical methods, and by agencies or associations that want their members and stakeholders to have access to a library of valuable resources.Series editor: Donald Getz PhD., Professor Emeritus, University of Calgary, Canada.
Price: 105.00 £ | Shipping*: 0.00 £ -
Cases For Event Management and Event Tourism
* Fully developed case studies all with theoretical underpinning and clear learning outcomes. * Teaching notes accompany all cases which specify teaching methods to be adopted for effective use in the classroom. * Teaching Instructions and Lesson Plans provide which offer a step-by-step teaching process, how students should be organized, information to be provided, the questions to be raised, and suggested assignments. A comprehensive collection of fully developed case studies of event management and event tourism main areas, including human resources, leadership, marketing, strategy, operations, stakeholder management, and evaluation, all written by international experts. The cases mirror the practices and challenges in the event management industry across the globe – in different regional contexts and cultures – integrating theory with functional and operational perspectives.All are accompanied with teaching notes that explain learning outcomes, theoretical underpinnings, teaching methods, and provide detailed learning activities, questions and tools for analysis and guided assignments. Cases For Event Management and Event Tourism is a must have collection for all those studying and teaching event management nad event tourism.It contextualizes understanding and provides a real-life perspective on the theory, models and best practice in the industry. Part of the Event Management Theory and Methods Series.This series examines the extent to which mainstream theory is being employed to develop event-specific theory, and to influence the very core practices of event management and event tourism.They introduce the theory, show how it is being used in the events sector through a literature review, incorporate examples and case studies written by researchers and/or practitioners, and contain methods that can be used effectively in the real world.With online resource material, this mix-and-match collection is ideal for lecturers who need theoretical foundations and case studies for their classes, by students in need of reference works, by professionals wanting increased understanding alongside practical methods, and by agencies or associations that want their members and stakeholders to have access to a library of valuable resources.Series editor: Donald Getz PhD., Professor Emeritus, University of Calgary, Canada.
Price: 37.99 £ | Shipping*: 0.00 £ -
Thee Event
Price: 15.99 £ | Shipping*: 3.99 £
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What background music is suitable for an event?
The choice of background music for an event depends on the type of event and the atmosphere you want to create. For a formal event such as a corporate dinner or a wedding reception, classical music or jazz can be suitable. For a more casual event like a cocktail party or a networking event, light pop or acoustic music can work well. It's important to consider the preferences of the attendees and the overall theme of the event when selecting background music. Ultimately, the goal is to choose music that enhances the ambiance and allows for conversation without being too distracting.
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How can I give a player permissions for an event?
To give a player permissions for an event, you can create a specific role or group within your game or event platform and assign the necessary permissions to that role or group. Then, you can add the player to that role or group, granting them the permissions they need for the event. This allows you to easily manage and update permissions for multiple players at once, and ensures that only authorized individuals have access to certain event features or actions. Additionally, you can communicate with the player directly to inform them of their new permissions and any specific guidelines or expectations for the event.
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What is an outcome event, a complementary event, a sample space, and an event set?
An outcome event is a specific result that can occur in an experiment or random process. A complementary event is the opposite of a given event, representing all outcomes that are not part of the original event. A sample space is the set of all possible outcomes of an experiment, while an event set is a collection of one or more outcomes from the sample space that are of interest in a particular situation.
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What is an outcome event, a complementary event, a sample space, and an event space?
An outcome event is a specific result of an experiment or observation. A complementary event is the event that consists of all outcomes not included in a given event. A sample space is the set of all possible outcomes of an experiment. An event space is a collection of events that are subsets of the sample space.
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