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Perception
One wealthy bachelor. Two Bennet sisters lacking prospects. Can either defy expectations? 'A charmingly written evocation of what might have happened to the remaining Bennet sisters.Very enjoyable' Katie Fforde, Sunday Times Number One BestsellerMary Bennet does not dream of marriage.Much to her mother's horror, Mary is determined not to follow in the footsteps of her elder sisters, Jane (now Mrs Bingley) and Lizzy (now Mrs Darcy). Living at home with her remaining sister, Kitty, and her parents, Mary does not care for fashions or flattery.Her hopes are simple - a roof over her head, music at the piano, a book in her hand and the freedom not to marry the first bachelor her mother can snare for her. But Mrs Bennet is not accustomed to listening to her daughters.While Kitty is presented with tempting choices and left trying to resist old habits, May discovers that things are not always what they seem and that happiness has a price.But by the time she realises that her perceptions might be false, could she have missed her chance at a future she'd never imagined?Perfect for fans of Pride and Prejudice, Perception continues the adventures of the Bennet sisters in the Regency world we all know.For lovers of Austen and sequels Longbourn and Thornfield Hall, to reimaginings like Eligible and Death Comes to Pemberley, this is a sweeping historical epic to savour.
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Perception
Perception is one of the most pervasive and puzzling problems in philosophy, generating a great deal of attention and controversy in philosophy of mind, psychology and metaphysics.If perceptual illusion and hallucination are possible, how can perception be what it intuitively seems to be, a direct and immediate access to reality?How can perception be both internally dependent and externally directed?Perception is an outstanding introduction to this fundamental topic, covering both the perennial and recent work on the problem.Adam Pautz examines four of the most important theories of perception: the sense datum view; the internal physical state view; the representational view; and naïve realism, assessing each in turn.He also discusses the relationship between perception and the physical world and the issue of whether reality is as it appears. Useful examples are included throughout the book to illustrate the puzzles of perception, including hallucinations, illusions, the laws of appearance, blindsight, and neuroscientific explanations of our experience of pain, smell and color.The book covers both traditional philosophical arguments and more recent empirical arguments deriving from research in psychophysics and neuroscience.The addition of chapter summaries, suggestions for further reading and a glossary of terms make Perception essential reading for anyone studying the topic in detail, as well as for students of philosophy of mind, philosophy of psychology and metaphysics.
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Perception
Perception is one of the most pervasive and puzzling problems in philosophy, generating a great deal of attention and controversy in philosophy of mind, psychology and metaphysics.If perceptual illusion and hallucination are possible, how can perception be what it intuitively seems to be, a direct and immediate access to reality?How can perception be both internally dependent and externally directed?Perception is an outstanding introduction to this fundamental topic, covering both the perennial and recent work on the problem.Adam Pautz examines four of the most important theories of perception: the sense datum view; the internal physical state view; the representational view; and naïve realism, assessing each in turn.He also discusses the relationship between perception and the physical world and the issue of whether reality is as it appears. Useful examples are included throughout the book to illustrate the puzzles of perception, including hallucinations, illusions, the laws of appearance, blindsight, and neuroscientific explanations of our experience of pain, smell and color.The book covers both traditional philosophical arguments and more recent empirical arguments deriving from research in psychophysics and neuroscience.The addition of chapter summaries, suggestions for further reading and a glossary of terms make Perception essential reading for anyone studying the topic in detail, as well as for students of philosophy of mind, philosophy of psychology and metaphysics.
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Perception
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Is the perception of music heavenly deep?
The perception of music can be described as heavenly deep for many individuals. Music has the power to evoke strong emotions, connect people on a deeper level, and transcend language barriers. The way music can resonate with our souls and touch our hearts is often seen as a spiritual experience, leading to the perception of music as something profound and transcendent. Ultimately, the depth of one's perception of music is subjective and can vary from person to person.
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How do self-perception and perception of others differ?
Self-perception refers to how an individual sees and evaluates themselves, including their abilities, traits, and behaviors. It is influenced by personal experiences, beliefs, and self-awareness. On the other hand, perception of others involves how individuals view and interpret the characteristics, behaviors, and intentions of other people. This perception is influenced by social and cultural factors, as well as personal biases and stereotypes. While self-perception is based on introspection and self-reflection, perception of others is often based on external observations and interactions.
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Do you know the difference between self-perception and external perception?
Self-perception refers to how we see ourselves, our thoughts, feelings, and beliefs about our own abilities and characteristics. External perception, on the other hand, is how others see us, their opinions, judgments, and observations about our behavior and traits. While self-perception is based on our own introspection and self-awareness, external perception is influenced by how others perceive and interact with us. Both self-perception and external perception play a role in shaping our self-concept and how we navigate social interactions.
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What is the difference between self-perception and self-image perception?
Self-perception refers to how we see ourselves based on our own thoughts, feelings, and behaviors. It involves our internal understanding of who we are. On the other hand, self-image perception is how we believe others see us. It is influenced by external factors such as feedback from others, societal norms, and cultural expectations. In essence, self-perception is about how we view ourselves, while self-image perception is about how we think others view us.
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Face Perception
Human faces are unique biological structures that convey a complex variety of important social messages.Even strangers can tell things from our faces – our feelings, our locus of attention, something of what we are saying, our age, sex, and ethnic group, whether they find us attractive or approachable. Face Perception, second edition, has been thoroughly updated throughout, providing an up-to-date, integrative summary by two authors who have helped to develop and shape the field.The book begins with the foundations of face perception before considering what is known about how we see different things in faces.It concludes with a discussion of how face perception relates to wider questions involving interpersonal perception and re-examines the question of what makes faces ‘special’.The importance of integrating different research perspectives and asking critical theoretical questions is emphasised throughout, to develop a distinctive point of view of the area.Written in a clear and accessible style, this is invaluable reading for all students and researchers interested in studying face perception and social cognition.
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Human Perception
It takes little or no effort for us to gather information by means of our senses but it would be a mistake to take this as a sign that perception is simple.It was in the 20th century and after the establishment of psychology as a scientific discipline that the study of perception flourished.This important volume gathers together a selection of articles and essays which represent some of the most interesting discoveries and theories.It gives a flavour of the many different approaches and ideas taken by cognitive psychologists in this fascinating area.Topics covered include: attention, brain systems, object interpolation and completion, object recognition and classification, different types of objects, and information processing and models.
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Perception and Cognition of Music : The Sorbonne Lectures
Perception and Cognition of Music: The Sorbonne Lectures presents revised and updated materials delivered in four distinguished lectures at the Université Paris-Sorbonne and the Université de Montréal, originally published in French. The book bridges the fields of music psychology, music theory, and music analysis by way of a consideration of several aspects of music listening through the lens of cognitive psychology.Auditory grouping processes play a role in organizing the continuous incoming sensory information into events, streams of events, and segments of streams that form musical units.Perceived properties of events and streams depend on how the incoming information is organized.Special attention is given to timbre as an understudied musical parameter, which can be a strong structuring force and form-bearing element in music through orchestration practice.The development of systems of abstract knowledge built on different musical parameters within a given culture focuses on the cognitive processing of pitch systems and structures and their role in the mental representation of hierarchical event structures in listeners' minds.Finally, given that music is a temporal art par excellence, the temporality of music listening is explored through a collaborative project involving a composer, psychologists, and musicologists around the conception and creation of a musical work and the perception and affective response it engenders in a live-concert experiment.Each chapter concludes with elements for reflection to expand the necessary transdisciplinary approach that music scholarship needs.
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Perception: The Basics
This book combines approaches from philosophy, psychology, and neuroscience in the study of perception.In addition to appealing to readers from all three of these disciplines, Perception: The Basics is a perfect introduction for students and general readers.Its interdisciplinary coverage of all aspects of perception does not require familiarity with either abstract philosophical concepts or neuroscientific knowledge.Besides addressing the classic questions of how perception works, the book highlights the intricate connections between perception and action as well as perception that is not triggered by sensory input, like mental imagery, dreaming, and hallucination.Further, the book balances out an overemphasis on vision in the literature by giving almost equal coverage to all the sense modalities (although some examples are easier to present in visual form). Questions that are discussed in detail include: What is the function of perception?Is perception an unbiased way of learning about the world?What is the difference between the different sense modalities, like seeing, hearing, smelling, etc.?What is the connection between perception and action?What is the relation between perception, mental imagery, dreaming, and hallucination?With helpful chapter summaries and a comprehensive final bibliography, Perception: The Basics is sure to be the first-stop for anyone trying to better understand this important area of interdisciplinary research.
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What is an objective perception and what is a subjective perception?
An objective perception is a perception that is based on factual, observable evidence and is not influenced by personal feelings or biases. It is a viewpoint that is not influenced by personal opinions or emotions, and is based on concrete, measurable data. On the other hand, a subjective perception is a perception that is influenced by personal opinions, emotions, and biases. It is based on individual experiences, beliefs, and feelings, and may vary from person to person. Subjective perceptions are often shaped by personal perspectives and can be influenced by cultural, social, and psychological factors.
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What are perception mechanisms?
Perception mechanisms are the processes by which individuals interpret and make sense of sensory information from the environment. These mechanisms involve the brain receiving, organizing, and interpreting sensory inputs such as sight, sound, touch, taste, and smell. Perception mechanisms help individuals to understand and navigate their surroundings, allowing them to form perceptions, make decisions, and take actions based on the information they receive. These mechanisms can be influenced by factors such as past experiences, emotions, and cognitive biases.
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How is the perception?
The perception can vary greatly from person to person. It is influenced by individual experiences, beliefs, and biases. Perception is subjective and can be shaped by factors such as culture, upbringing, and personal values. It is important to recognize that perception is not always an accurate reflection of reality and can be influenced by a variety of external factors.
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What is mental perception?
Mental perception refers to the process by which the mind interprets and makes sense of sensory information from the environment. It involves the brain's ability to organize and interpret incoming stimuli, such as sights, sounds, and smells, in order to form a coherent understanding of the world around us. Mental perception also includes the ability to recognize patterns, make judgments, and form mental representations of the external world. This process is essential for our ability to navigate and interact with our surroundings.
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