Products related to Politics:
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Edinburgh German Yearbook 13 : Music in German Politics / Politics in German Music
Volume 13 deals with the interaction of music and politics, considering a broad range of genres, authors, composers, and artists in Germany since the nineteenth century. A particularly iconic image of German Reunification is that of Mstislav Rostropovich playing from J.S. Bach's cello suites in front of the Berlin Wall on November 11, 1989.Thirty years on, it is timely to reconsider the cross-fertilization of music and politics within the German-speaking context.Frequently employed as a motivational force, a propaganda tool, or even a weapon, music can imbue a sense of identity and belonging, triggering both comforting and disturbing memories.Playing a key role in the formation of Heimat and "Germanness," it serves ideological, nationalistic, and propagandistic purposes conveying political messages and swaying public opinion. This volume brings together essays by historians, literary scholars, and musicologists on topics concerning the increasing politicization of music, especially since the nineteenth century.They cover a broad spectrum of genres, musicians, and thinkers, discussing the interplay of music and politics in "classical" and popular music: from the rediscovery and repurposing of Martin Luther in nineteenth-century Germany to the exploitation of music during the Third Reich, from the performative politics of German punk and pop music to the influence of the events of 1988/89 on operatic productions in the former GDR - up to the relevance of Ernst Bloch in our contemporary post-truth society.
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The Transformative Politics of Music Education
This book introduces a unique approach to the interconnections between music education and politics.By taking a broader, more diverse, and explicitly ethico-political philosophical and theoretical stance, the book challenges institutional and structural conditions that may be resistant to change, and expands our understanding of the professional responsibility of music educators in the 21st century to meet a variety of societal and ecological challenges. Emerging from a collaboration between international music education scholars and prominent contemporary educational theorist Gert Biesta, this book connects contemporary educational theories with music education to unlock its transformational capacity.In eight chapters, the contributors show how music education can move towards ways of being and doing that are attuned to social justice and to the broader social and ecological responsibility of music professionals.Strengthening the interdisciplinary connections between music education and education, philosophy, sociology, policy studies, systems thinking, and more, the volume offers a renewed vision of the scope and boundaries of both music teacher education and professional work in music more widely. Connecting the decades-long work of internationally established music educator scholars and ideas from large-scale research projects with a shared interest in transformative theorisation, this book fills a knowledge gap and reframes the philosophy of music education as a vibrantly multidisciplinary, theory-generating field.Relevant to researchers and students across music teacher education and performance studies, this book speaks to both conservatoires and university contexts across Europe and North America, helping us unlock the transformative capacity of music education.
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The Funk Movement : Music, Culture, and Politics
Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement.Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement as the Black political feminism of Angela Davis or the Combahee River Collective and the Black literary feminism of Toni Morrison or Alice Walker.This book also demonstrates that more than any other post-war Black popular music genre, the funk music of the 1960s and 1970s laid the foundation for the mercurial rise of rap music and the Hip Hop Movement in the 1980s and 1990s. This book is primarily aimed at scholars and students working in popular music studies, popular culture studies, American studies, African American studies, cultural studies, ethnic studies, critical race studies, women’s studies, gender studies, and sexuality studies.
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Modernism, Music and the Politics of Aesthetics
An interdisciplinary account of the political importance of music in modernist literatureA new methodology for analysing music in literature, informed by T.W. Adorno, that examines the politics of aestheticsAn intensely interdisciplinary book, with an extensive survey and analysis of music's place in Ancient Greek philosophy, German Romanticism, French Symbolism, British Aestheticism, continental philosophy, as well as new musicology, sociology, and analytical philosophyConceptual re-framing of modernism as an investigation of the problems associated with post-Enlightenment rationality, logic and empiricismNuanced arguments about the politics of aesthetics and the real-world significance of literary and musical formsUsing an approach to music informed by T.W. Adorno, this book examines the real-world, political significance of seemingly abstracted things like musical and literary forms.Re-assessing music in James Joyce, Ezra Pound and Sylvia Townsend Warner, this book re-shapes temporal, aesthetic and political understandings of modernism, by arguing that music plays a crucial role in ongoing attempts to investigate language, rational thought and ideology using aesthetic forms.
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Can music influence politics?
Yes, music can influence politics by shaping public opinion, raising awareness about social issues, and mobilizing people to take action. Music has the power to inspire and unite people, making it a powerful tool for political movements and activism. Artists have used their music to express political messages and challenge the status quo, often leading to social and political change. Additionally, music can be used as a form of protest and resistance against oppressive political systems. Overall, music has the potential to play a significant role in shaping political discourse and driving social change.
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Which 2Pac songs are about politics?
Two of 2Pac's songs that are about politics are "Changes" and "Keep Ya Head Up." "Changes" addresses issues of racism, police brutality, and inequality in society, while "Keep Ya Head Up" touches on themes of empowerment, social justice, and the struggles faced by marginalized communities. Both songs showcase 2Pac's ability to use his platform to shed light on important political and social issues.
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Which metal bands have songs about politics?
Several metal bands have songs about politics, including Rage Against the Machine, System of a Down, and Megadeth. These bands often use their music as a platform to address social and political issues, with lyrics that critique government policies, war, and social injustice. Their music serves as a form of protest and activism, using the powerful and aggressive nature of metal to convey their messages.
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What is the connection between politics and songs?
Politics and songs have a long history of being intertwined, as songs have often been used as a form of protest or expression of political beliefs. Many artists use their music to convey messages about social issues, advocate for change, or criticize political leaders. Songs can serve as a powerful tool to mobilize people, raise awareness, and inspire action, making them a significant part of political movements and activism. Additionally, political figures have also used songs as part of their campaigns to connect with voters and convey their message effectively.
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Radio Art and Music : Culture, Aesthetics, Politics
This book explores the cultural, aesthetic, and political relevance of music in radio art from its beginnings to present day.Contributors include musicologists, literary studies, and cultural studies scholars and cover radio plays, radio shows, and other programs in North American, English, Spanish, Greek, Italian, and German radio.
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Music Video and the Politics of Representation
How can we engage critically with music video and its role in popular culture?What do contemporary music videos have to tell us about patterns of cultural identity today?Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer.In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century.Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies.Key Features * Provides a framework for how to describe and analyse a music video. * Uses case studies from internationally well-know artists, such as Kylie, Shakira and Beyonce to explore issues of representation of gender, sexuality and ethnicity. * Draws on classic and contemporary videos from a range of musical styles, from Lady Gaga and Christina Aguilera to Gorillaz and Metallica.
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Mexican Canto Nuevo : Music, Politics, and Resistance
Mexican Canto Nuevo: Music, Politics, and Resistance explores the vibrant history of Canto Nuevo, a musical and cultural movement that influenced Mexican music, politics, and culture from the 1960s to the late 1980s.Author Claudio Palomares-Salas delves into every aspect of Canto Nuevo's evolution, from its origins during the 1968 student movement to its peak and eventual decline two decades later. Palomares-Salas offers a comprehensive, rigorous, and easy-to-follow path to understand Canto Nuevo in all its complexity, discussing Canto Nuevo's nomenclature and temporality, the Marxist-humanist principles that defined the movement's lyrical production and governed the lives of its participants, as well as the folklorization processes that were at the core of Canto Nuevo's origins and development.He examines Canto Nuevo's relationship with other militant song movements, such as Chilean Nueva Canción, Cuban Nueva Trova, and Uruguayan Canto Popular, reasserting Mexican Canto Nuevo in current academic discussions on the pan-Latin American Nueva Canción movement of the 1960s-1980s.The chapters offer much-needed chronological analysis of main events, peñas, artists' organizations, record labels, festivals, and albums that allow the reader to make sense of the politics, aesthetics, and goals of a broad and multifaceted movement that spanned over two decades.Notably, Palomares-Salas clarifies the complex relationship between the Mexican state and Canto Nuevo, clearly explaining the climate of hostile tolerance in which it developed.The book thoroughly explores the work of the movement's most prominent and influential singers, singer-songwriters, and groups, among them Los Folkloristas, Judith Reyes, José de Molina, León Chávez Teixeiro, Óscar Chávez, Los Nakos, Margarita Bauche, Enrique Ballesté, Amparo Ochoa, La Peña Móvil, Gabino Palomares, and several others.A crucial academic resource and a must-read for those passionate about Mexican and Latin American music, politics, and culture, readers will gain a chronological perspective on key events, artists, and organizations that defined the politics and aesthetics of the Canto Nuevo movement.
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No Politics But Class Politics
Denouncing racism and celebrating diversity have become central to progressive politics.For many on the left, it seems, social justice would consist of an equitable distribution of wealth, power and esteem among racial groups.But as Adolph Reed Jr. and Walter Benn Michaels argue in this incisive collection of essays, the emphasis here is tragically misplaced.Not only can a fixation with racial disparities distract from the pervasive influence of class, it can actually end up legitimising economic inequality.As Reed and Michaels put it, "racism is real and anti-racism is both admirable and necessary, but extant racism isn't what principally produces our inequality and anti-racism won't eliminate it". No Politics but Class Politics gathers together Reed and Michaels's recent essays on inequality, along with a newly commissioned interview with the authors and an illuminating foreword by Daniel Zamora and Anton Jager.These writings eschew the sloppy thinking and moral posturing that too often characterise discussions of race and class in favour of clear-eyed social, cultural and historical analysis.Reed and Michaels make the case here for a genuinely radical politics: a politics which aspires not to the establishment of a demographically representative social elite, but instead to economic justice for everyone.
Price: 25.00 £ | Shipping*: 3.99 £
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Does music have anything to do with politics?
Music has often been used as a tool for political expression and activism. Artists have used their music to convey messages about social issues, protest against injustices, and advocate for change. Music can serve as a powerful medium to mobilize people, raise awareness, and inspire action, making it inherently connected to politics. Additionally, governments and political movements have also used music as a propaganda tool to promote their ideologies and influence public opinion.
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What is politics?
Politics is the process of making decisions that apply to members of a group. It involves the activities associated with governance and power relations within a society. Politics encompasses a wide range of activities, including voting, lobbying, and governing, all aimed at influencing or controlling the policies and actions of a government or organization. It is a fundamental aspect of human society that shapes how resources are distributed, laws are made, and conflicts are resolved.
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Is politics good?
The goodness of politics is subjective and depends on individual perspectives. Politics can be good when it serves the interests of the people, promotes equality, and ensures justice and freedom for all. However, it can also be seen as negative when it is driven by corruption, self-interest, and division. Ultimately, the goodness of politics is determined by the actions and intentions of those involved in the political process.
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Is politics xenophobic?
Politics itself is not inherently xenophobic, but it can be influenced by xenophobic attitudes and policies. Xenophobia, or the fear and hatred of foreigners or people from different cultures, can be present in political rhetoric and decision-making. However, it is important to distinguish between individual politicians or political movements that may espouse xenophobic beliefs and the broader concept of politics as a whole. Ultimately, the extent to which politics is xenophobic depends on the specific actors and policies involved.
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